Films create story worlds, imaginary environments in which characters live and act, and where events, large and small, transpire. Some story worlds are elaborate, fanciful constructs (think of Disney’s animated films). Others stay close to reality (think of “docudramas”). But across the spectrum, all of them are framed by and provided with rules of time and space, of believable or impossible. This course offers an examination of selected story worlds from several periods of film history. Emphasis falls on the expansive story worlds of contemporary corporately-run media-franchise “universes,” like the cross-media “DC Universe.”
Films create story worlds, imaginary environments in which characters live and act, and where events, large and small, transpire. Some story worlds are elaborate, fanciful constructs (think of Disney’s animated films). Others stay close to reality (think of “docudramas”). But across the spectrum, all of them are framed by and provided with rules of time and space, of believable or impossible. This course offers an examination of selected story worlds from several periods of film history. Emphasis falls on the expansive story worlds of contemporary corporately-run media-franchise “universes,” like the cross-media “DC Universe.”