mountain and water) landscape representations from an environmental humanities perspective. As an artistic motif, Shan Shui travels between past and present and across various mediums as well as literary and artistic genres. What exactly are we invited to see and contemplate on in the Shan Shui? Are Shan Shui works about “nature,” spirit, Qi, or the human world? The course seeks to inquire into these and other questions through examining the concepts, arts, and transformations of selected Shan Shui works in imperial and contemporary China. Course focus may include the cultural histories of food, fashion, tourism, sports, or forms of audio and visual media. (No prior knowledge of East Asian languages or cultures is necessary.) This course looks at the ways that media producers and fans, alike, engage with media worlds. More importantly, the course situates these media worlds within a broader conception of "world-making," namely, the geopolitical and economic configuration of modern East Asia. (No prior knowledge of East Asian languages or cultures is necessary.)
mountain and water) landscape representations from an environmental humanities perspective. As an artistic motif, Shan Shui travels between past and present and across various mediums as well as literary and artistic genres. What exactly are we invited to see and contemplate on in the Shan Shui? Are Shan Shui works about “nature,” spirit, Qi, or the human world? The course seeks to inquire into these and other questions through examining the concepts, arts, and transformations of selected Shan Shui works in imperial and contemporary China. Course focus may include the cultural histories of food, fashion, tourism, sports, or forms of audio and visual media. (No prior knowledge of East Asian languages or cultures is necessary.) This course looks at the ways that media producers and fans, alike, engage with media worlds. More importantly, the course situates these media worlds within a broader conception of "world-making," namely, the geopolitical and economic configuration of modern East Asia. (No prior knowledge of East Asian languages or cultures is necessary.)
